ARTISTIC DIRECTORS
  2008-2009 GUEST ARTISTS
  2007-2008 GUEST ARTISTS
  PREVIOUS GUEST ARTISTS
 
Rochelle Bard, soprano
  Charles Blandy, tenor
  Rebecca Boggs, lecturer
  Jessica Bowers, mezzo-soprano
  Heinrich Christensen, organ
  Jesse Clark, baritone
  Susan Consoli, soprano
  Jessica Cooper, soprano
  Caprice Corona, soprano
  Pamela Dellal, mezzo-soprano
  Amanda Forsythe, soprano
  Angela Gooch, soprano
  Gerald Gray, tenor
  Martha Guth, soprano
  John Harbison, composer
  Anne Harley, soprano
  Martin Hennessy, composer
  Jane Hershey, viola da gamba and violone
  Heather Holland, mezzo-soprano
  Kayo Iwama, piano
  Elizabeth Keusch, soprano
  Sheila Kibbe, piano
  Aaron Larget-Caplan, guitar
  Libby Larsen, composer
  Sabrina Learman, soprano
  Catherine Liddell, theorbo and baroque guitar
  John McDonald, piano
  Lynne McMurtry, mezzo-soprano
  Jason McStoots, tenor
  Christopher Morongiello, lute
  Lior Navok, composer
  Scott Nicholas, piano
  Linda Osborn-Blaschke, piano
  Sarah Pelletier, soprano
  Daniel Pinkham, composer
  Sandra Piques-Eddy, mezzo-soprano
  Drew Poling, baritone
  Paul Preusser, composer
  Deborah Rentz-Moore, mezzo-soprano
  Krista River, mezzo-soprano
  Ned Rorem, composer
  Elena Ruehr, composer
  Alan Schneider, tenor
  Michael Sponseller, harpsichord
  Sumner Thompson, baritone
  Dana Whiteside, baritone
  Ross Wood, organ

 

Dana Whiteside, baritone

Dana Whiteside’s recent solo engagements have included  Beethoven’s Ninth Symphony on Boston’s Esplanade; Heinrich Schuetz’s Symphonia Sacrae, Handel’s Belshazzar, the Mass in Bminor and St. John Passion of J.S. Bach with Cantata Singers under the baton of John Harbison. In addition he has appeared with the Landmarks Orchestera, Newton Symphony Orchestra, and Chorus Pro Musica; and performed Antonin Dvorak’s Te Deum, Opus 103, sung the role of King Herod in Schuetz’s Die Weinachthistorien and was baritone soloist in Carl Orff’s Carmina Burana with the Dedham Choral Society as part of its 50th anniversary gala concert in Jordan Hall. 

Mr. Whiteside began the study of German lieder and French melodie with Dorothea Brinkmann; and worked extensively with Phyllis Curtin and Margo Garrett at Tanglewood where he performed in recitals at Seiji Ozawa Hall. He has continued to offer recitals of varying and adventurous repertoire in programs at Boston University, the Brookline Public Library, the Vox Humana Series, the Lyric Stage and the French Library in Boston. Recent programs have included Schumann’s Liederkreis Op. 39, Samuel Barber’s Despite & Still  and Beethoven’s An die ferne Geliebte and a program entitled The Landscape Within, an exploration of the songs of Ernest Chausson, Claude Debussy and Francis Poulenc..

In addition, he has enjoyed great success as soloist in performances of Ralph Vaughan Williams’ Five Mystical Songs; the Requiems of Durufle, Faure and Mozart; Handel’s Messiah and Haydn’s Missa in Tempore Belli as well as  Brahms’s Ein Deutsches Requiem  in performance with the Worcester Consortium Chorale at Mechanics Hall. A winner of the National Association of Teachers of Singing Competition, Dana is an honors graduate of the New England Conservatory of Music where he studied voice and opera with Susan Clickner and John Moriarty. He enjoys affiliation with the Handel & Haydn Society and Emmanuel Music; and has been a soloist with the choir of Trinity Church Copley Square with which he is featured on the recordings With Heart and Voice, Sounds of Light, A Choral Christmas, and Radiant Light.  Upcoming performances for the 2007-2008 season include recital programs at the University of Oregon (Korvallis), Babson College, and Boston’s Isabella Steward Gardner Museum as well as Brahms Ein Deutsches Requiem with Cantata Singers in Jordan Hall.

 

 

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