ARTISTIC DIRECTORS
  2008-2009 GUEST ARTISTS
  2007-2008 GUEST ARTISTS
  PREVIOUS GUEST ARTISTS
 
Rochelle Bard, soprano
  Charles Blandy, tenor
  Rebecca Boggs, lecturer
  Jessica Bowers, mezzo-soprano
  Heinrich Christensen, organ
  Jesse Clark, baritone
  Susan Consoli, soprano
  Jessica Cooper, soprano
  Caprice Corona, soprano
  Pamela Dellal, mezzo-soprano
  Amanda Forsythe, soprano
  Angela Gooch, soprano
  Gerald Gray, tenor
  Martha Guth, soprano
  John Harbison, composer
  Anne Harley, soprano
  Martin Hennessy, composer
  Jane Hershey, viola da gamba and violone
  Heather Holland, mezzo-soprano
  Kayo Iwama, piano
  Elizabeth Keusch, soprano
  Sheila Kibbe, piano
  Aaron Larget-Caplan, guitar
  Libby Larsen, composer
  Sabrina Learman, soprano
  Catherine Liddell, theorbo and baroque guitar
  John McDonald, piano
  Lynne McMurtry, mezzo-soprano
  Jason McStoots, tenor
  Christopher Morongiello, lute
  Lior Navok, composer
  Scott Nicholas, piano
  Linda Osborn-Blaschke, piano
  Sarah Pelletier, soprano
  Daniel Pinkham, composer
  Sandra Piques-Eddy, mezzo-soprano
  Drew Poling, baritone
  Paul Preusser, composer
  Deborah Rentz-Moore, mezzo-soprano
  Krista River, mezzo-soprano
  Ned Rorem, composer
  Elena Ruehr, composer
  Alan Schneider, tenor
  Michael Sponseller, harpsichord
  Sumner Thompson, baritone
  Dana Whiteside, baritone
  Ross Wood, organ

 

Drew Poling, baritone

Hailed for his "unutterably moving" performances (Boston Globe), baritone Drew Poling has established a career of exceptional scope in the worlds of opera, lieder, oratorio, and contemporary music.

Although early in his career, Mr. Poling has worked with such conductors as Seiji Ozawa, Robert Spano, Craig Smith, Oliver Knussen, and George Benjamin, among others. His festival appearances include the Aspen Music Festival, where he won the Concerto Competition in voice, as well as the Tanglewood Music Festival, at which he has been twice-honored to have been named a vocal fellow.

Mr. Poling's repertoire of operatic roles is long and varied and includes Count Almaviva, Marcello, Aeneas, Hérode, Gianni Schicchi, Samuele and Albert Herring's Mr. Gedge. He appears frequently with Opera Boston and is an original member of the Red House Opera Group.
An accomplished recitalist, Mr. Poling has appeared frequently with the pianist Darlene Lawrence. In 1997, he made his European recital debut at the Countess of Huntington Hall in Worcester, U.K. and in 1998 was invited by the Chinese Ministry of Culture to perform opera and lieder in Beijing and Shanghai. In Boston, Mr. Poling has appeared with pianist Kayo Iwama as part of the Cantata Singers's Chamber Series.

Mr. Poling is also an avid performer of new music and has sung the American debuts of several major new works. In 1999, he debuted George Benjamin's Sometime Voices, a piece the New York Times hailed as "a masterpiece". The following year, also at Tanglewood, he sang the premier of Param Vir's Ultimate Words: Infinite Song. He made his Boston Symphony Orchestra debut in Oliver Knussen's Where the Wild Things Are and was featured to critical acclaim as the first Lion in Lucas Foss's Griffelkin with the Boston Modern Orchestra Project. Mr. Poling reprised his role on the world-premier recording of the work recently released on the Chandos label.

Upcoming engagements include Bach's Magnificat with the Nashoba Valley Chorale; the role of Henry Kissinger in the Boston premier of Adams's Nixon in China; Curlew River in this summer's Red House Opera Festival; and a re-mounting of Griffelkin this summer on Long Island.

A native of Ottumwa, Iowa, Mr. Poling received his education at Georgetown University. He currently resides in Boston.

 

 

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