ARTISTIC DIRECTORS
  2008-2009 GUEST ARTISTS
  2007-2008 GUEST ARTISTS
  PREVIOUS GUEST ARTISTS
 
Rochelle Bard, soprano
  Charles Blandy, tenor
  Rebecca Boggs, lecturer
  Jessica Bowers, mezzo-soprano
  Heinrich Christensen, organ
  Jesse Clark, baritone
  Susan Consoli, soprano
  Jessica Cooper, soprano
  Caprice Corona, soprano
  Pamela Dellal, mezzo-soprano
  Amanda Forsythe, soprano
  Angela Gooch, soprano
  Gerald Gray, tenor
  Martha Guth, soprano
  John Harbison, composer
  Anne Harley, soprano
  Martin Hennessy, composer
  Jane Hershey, viola da gamba and violone
  Heather Holland, mezzo-soprano
  Kayo Iwama, piano
  Elizabeth Keusch, soprano
  Sheila Kibbe, piano
  Aaron Larget-Caplan, guitar
  Libby Larsen, composer
  Sabrina Learman, soprano
  Catherine Liddell, theorbo and baroque guitar
  John McDonald, piano
  Lynne McMurtry, mezzo-soprano
  Jason McStoots, tenor
  Christopher Morongiello, lute
  Lior Navok, composer
  Scott Nicholas, piano
  Linda Osborn-Blaschke, piano
  Sarah Pelletier, soprano
  Daniel Pinkham, composer
  Sandra Piques-Eddy, mezzo-soprano
  Drew Poling, baritone
  Paul Preusser, composer
  Deborah Rentz-Moore, mezzo-soprano
  Krista River, mezzo-soprano
  Ned Rorem, composer
  Elena Ruehr, composer
  Alan Schneider, tenor
  Michael Sponseller, harpsichord
  Sumner Thompson, baritone
  Dana Whiteside, baritone
  Ross Wood, organ

 

John McDonald, composer

A "fresh, inventive, urbane and keen-witted young composer"(Boston Globe) and "a splendid pianist" with "a born pianist's command of colors, texures, dynamics"(Boston Globe), John McDonald has earned international acclaim as a musician. His compositions have been performed on four continents, and his work is frequently featured in the U.S.A. by such ensembles as Alea III, Arden Quartet, Boston Composers String Quartet, Hartt Contemporary Players, Marimolin, Rivers Trio and Duo 101. Recently, McDonald served as Cultural Specialist in Mongolia, where he premiered his "Music for Piano and String Orchestra" and worked with students on his pedagogical works. In his performing capacity, recent honors include a Duo Recitalists' Grant from the NEA, and Artistic Ambassadorship to Asia, and an Artists' Residency at M.I.T. with soprano Karol Bennett(1995, 1993, 1990-91); the Bennett/McDonald performance of Hindemith's "Das Marienleben" at Boston's Goethe-Institut was hailed as Best Song Recital for 1995 by the Boston Globe, and their recording of John Harbison's "Simple Daylight" appears on Archetype Records. McDonald's solo piano recital of "Common Injustices" by twenty-five living composers given in September of 2001 prompted Richard Dyer of The Boston Globe to write, "one can hardly imagine anyone else undertaking such a program, or playing it with such modest and unobtrusive but total musical and pianistic mastery."

 

 

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